In 2008, Nicole Richie introduced House of Harlow
1960, a jewelry line that evokes a youthful, bohemian spirit. Working in
collaboration with world-renowned jeweler Pascal Mouawad, Nicole creates pieces
that breathe new life into classic jewelry traditions. The House of Harlow 1960
collection uses vintage patterns and styles to tell new stories.
Inspired by the finest vintage fabrics, patterns, and
embroidery, the House of Harlow 1960 line features feathers, intricately
engraved coins, enamels layered over etchings, cabochon lockets, and darker
metals. Each piece emulates true 1960s Deco style with a fresh
update.
Staying true to her signature made-to-layer designs,
Nicole designed each piece to be mixed and matched to achieve the iconic
bohemian look. "I wanted to incorporate a variety of stories in the designs,"
says Richie, "giving the wearer the ability to stack on multiple styles from
this collection yet look as though they've been collecting each piece for years
in their jewelry box
Color
Jewelers describe the color of a gemstone in terms of three characteristics: hue, saturation, and tone. A gemstone's basic color is its hue, and those with purer hues (for emeralds, green; for sapphires, blue; and for rubies, red) are generally considered more valuable. Often, however, a hint of another color can be detected. Saturation is a measure of the intensity or purity of a gem's hue and is determined by the degree to which gray or brown hues mute its defining color. Value tends to increase with saturation, so a fully saturated purplish blue sapphire may well be more expensive than a muted pure blue one. The tone of a gemstone, a measurement of its lightness or darkness, is usually given as light, medium-light, medium, medium-dark, or dark.
Clarity
A flawless gemstone is rare and expensive. As with diamonds, most gemstones have inclusions, or tiny mineral flaws, that can be seen under magnification or by the careful eye. Make sure that any inclusions in the stone do not penetrate deeply into the gem, as this may cause it to break or crack. Clarity grades range from VVS (very, very slightly included) to I3, in which inclusions are prominent and severely affect the gemstone's beauty.
Cut
A gemstone's cut refers to its proportions and symmetry. In making a gemstone look appealing--the stone should be symmetrical in all dimensions so that it will appear balanced, and that its facets will reflect light evenly. Color should also be taken into account when cutting for optical efficiency. If a stone's color is highly saturated, a shallow cut will allow it to pass more light, while a deeper cut may increase the vividness of a less saturated gem. There is no generally accepted grading system for gemstone cut.
Color
Jewelers describe the color of a gemstone in terms of three characteristics: hue, saturation, and tone. A gemstone's basic color is its hue, and those with purer hues (for emeralds, green; for sapphires, blue; and for rubies, red) are generally considered more valuable. Often, however, a hint of another color can be detected. Saturation is a measure of the intensity or purity of a gem's hue and is determined by the degree to which gray or brown hues mute its defining color. Value tends to increase with saturation, so a fully saturated purplish blue sapphire may well be more expensive than a muted pure blue one. The tone of a gemstone, a measurement of its lightness or darkness, is usually given as light, medium-light, medium, medium-dark, or dark.
Clarity
A flawless gemstone is rare and expensive. As with diamonds, most gemstones have inclusions, or tiny mineral flaws, that can be seen under magnification or by the careful eye. Make sure that any inclusions in the stone do not penetrate deeply into the gem, as this may cause it to break or crack. Clarity grades range from VVS (very, very slightly included) to I3, in which inclusions are prominent and severely affect the gemstone's beauty.
Cut
A gemstone's cut refers to its proportions and symmetry. In making a gemstone look appealing--the stone should be symmetrical in all dimensions so that it will appear balanced, and that its facets will reflect light evenly. Color should also be taken into account when cutting for optical efficiency. If a stone's color is highly saturated, a shallow cut will allow it to pass more light, while a deeper cut may increase the vividness of a less saturated gem. There is no generally accepted grading system for gemstone cut.